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Multiple Choice Horror Movie MCQ Quiz Questions
1. True or false: Stephen King was not happy with the film adaptation of ‘The Shining’ (1980)?
2. What cult movie franchise is said to be cursed following a series of accidents and tragedies involving actors in the various films?
3. ‘The Evil Dead’ (1981), ‘Cabin Fever’ (2004), ‘Misery’ (1990) – all feature what classic horror plot device?
4. In both the remake and the original, what type of blood does Carrie get covered in?
5. Who is the director of the movie Scream?
6. What are the children's names in The Others?
7. The Texas Chainsaw Massacre’s Leatherface wears a mask made from what?
8. How does Freddy Krueger kill Rod in A Nightmare on Elm Street?
9. Who is the murderer on Friday the 13th?
10. Which of the following did not feature Jamie Lee Curtis?
11. How does Bruce Willis' character, Dr. Malcolm Crowe, die in The Sixth Sense?
12. What is the occupation of Hannibal Lecter, the serial killer who appears in such films as The Silence of the Lambs?
13. Prudish much? 'Psycho' (1960) was the first American film to feature what common household item on screen?
14. In The Silence of the Lambs, who is Buffalo Bill's victim the daughter of?
15. Which of the following was not based on a Stephen King work?
16. What creepy flick coined the infamous line: “Do you like scary movies?”
17. Who is the first person killed by Ghostface in Scream?
18. Having appeared in numerous hit horror fests in the ’70s and ’80s, which actress is often referred to as the original “scream queen”?
19. What real-life killer inspired Alfred Hitchcock’s Psycho?
20. Who does Michael Myers kills as a boy in the first Halloween movie?
21. What was the first horror film to receive a Best Picture nomination at the Academy Awards?
22. Which actor played the killer in Se7en?
23. Released in 1896 and with a runtime of just over three minutes, the first-ever horror film was made in
24. What does Heather find in front of the tent after Josh disappears in The Blair Witch Project?
25. Who is the villain in Halloween?
26. Which actor made his film debut in A Nightmare on Elm Street?
27. In Alfred Hitchcock's classic film, Psycho, how much money does Marion Crane steal from her employers before fleeing to the Bates Motel?
28. What is the name of the camp in Friday the 13th?
29. When is Rosemary's due date in Rosemary's Baby?
30. How does Rachel avoid being killed by Samara in The Ring?
The First Ten Horror Films Ever Made
1. The Devil’s Mansion (1896)
House of the Devil (1896), directed by Georges Méliès, is arguably the first horror film ever created and was thought to be lost until a copy was discovered in 1988 at the New Zealand Film Archive. The Devil’s Manor, The Haunted Castle, The Devil’s Manor, and The Devil’s Castle are all variations of the title.
A bat transforms into Mephistopheles, the Devil’s agent, in this sequence of drawings. He summons demonic beings from a cauldron with the aid of his helper, who then tease two men who enter the castle. Finally, one of the guys uses a crucifix to vanish Mephistopheles.
The film House of the Devil was shot in Méliès’ backyard in Montreuil, Seine-Saint-Denis. Jehanne d’Alcy, who played a lady who rises from the cauldron in numerous of his films and later married him, performed the part.
According to some historians, Mephistopheles was performed by Jules-Eugène Legris, a magician who subsequently featured in Méliès’ A Trip to the Moon (1902). Others claim Méliès played the part himself.
2. A Terrible Night (1896)
A guy attempts to get a nice night’s sleep in an inn in this horror-comedy by Georges Méliès, but instead ends up wrestling an enormous spider in an over-the-top, hilarious style.
When the man notices a large spider climbing the wall, he grabs a broom and swats it down before stomping on it. He then tosses the dead spider into his chamber pot and returns to bed, only to discover that he is now unable to sleep. Méliès portrayed the guy, and the spider was a pasteboard prop manipulated by a wire rather than a result of his renowned special effects.
The notion of a person in a hotel bed attempting hopelessly to fall asleep was popular at the time on stage in variety shows. This film may have been the first to represent the scenario of cinema.
3. A Nightmare (1896)
A Nightmare (1896), directed by Georges Méliès, might be regarded as the first dream sequence in film history, as well as the first use of psychological horror. It was marketed as a scène fantastique when it was released by Méliès’ Star Film Company, referring to the French name for a genre that includes science fiction, horror, and fantasy.
The clip displays a man trying to sleep in a bed on a stage. A lovely lady arrives at the foot of his bed, but when he rises to kiss her, she morphs into a minstrel, dances on the bed, and then transforms into a clown.
The scene shifts to the man standing on a balcony, beneath which a massive moon with a frightening visage stares down ominously. The moon becomes larger and bites the man’s arm, then laughs as the victim writhes in pain.
The woman, the minstrel, and the clown all reappeared and danced about him, laughing and jeering him. The scared guy hides behind his blankets, then emerges to see that the frightening trio has left and the room has returned to normal.
4. The X-Ray Fiend (1897)
The X-Ray Fiend (1897), directed by acclaimed photographer-turned-director George Albert Smith, was a horror comedy released just two years after x-rays were created. An audience of individuals who were unfamiliar with the concept would have considered it terrifying and unearthly.
A guy and a lady flirt while being monitored by a professor opens the picture. The professor activates an x-ray machine and observes them flirting as skeletons, a look accomplished with luminous black bodysuits. The couple had a fight and breaks up when he switches off the x-ray.
Smith worked as a stage hypnotist, psychic, inventor, and lecturer before becoming a photographer and filmmaker. He was also a member of the Brighton School, an informal group of British film pioneers, and a close friend and colleague of Georges Méliès. He contributed to advancements in film editing and the color film process during his career.
5. The Bewitched Inn (1897)
Another horror comedy by Georges Méliès was The Bewitched Inn (1897). The filmmaker employed his well-known cliché of inanimate objects coming to life for the first time in this film.
The Hanlon-Lees, a prominent British acrobat group who did comic shows in which they leaped through disguised trapdoors, were most likely the inspiration for the narrative. A visitor at a candlelit hotel is pranked and tortured by an unseen ghost in one sketch.
A tourist arrives at a little motel at The Bewitched Inn, where he places his bags on the bed. His suitcase vanishes. Then he places his pith hat on the ground, which leaps and goes about on its own until disappearing. When the traveler tries to light a candle, it leaps across the room and bursts into flames. His coat flies through the wall, his pants fly through the ceiling, and his boots walk away as he undresses.
Finally, the traveler leaps onto a bed that appears and then vanishes. This is the final straw, and he decides to check out of the hotel.
6. Photographing a Ghost (1898)
Another of George Albert Smith’s films, Photographing a Ghost (1898), might be regarded as a forerunner to the paranormal investigative subgenre.
Three guys attempt to photograph a ghost, but the ghost eludes them and throws chairs, causing them to fail time and time again. Finally, the photographers succumb to despair and abandon their efforts.
Smith patented a method for making double exposures a year before releasing Photographing a Ghost, having been influenced by photographer William Turner. Following that, in 1906, he co-developed and patented Kinemacolor, the first commercial cinema color system.
7. The Cave of the Demons (1898)
The Cave of the Demons (1898) tells the story of a lady who stumbles onto a haunted cave and meets the ghosts of others who have perished there.
Multiple exposures, a camera technique in which two or more exposures are combined to generate one image, were utilized for the first time in this film by filmmaker Georges Méliès. Though the method has been employed in photography since 1890, this is the first time it has been applied in a motion picture.
There are no records of the film’s cast or crew because it is presently missing. All that is known is that it was released in 1898 by Star Film Company.
8. Resurrection of a Corpse (1898) / 9. Jizo the Spook (1898)
Shinin No Sosei, which translates to Resurrection of a Corpse, and Bake Jizo, which translates to Jizo the Spook, were both authored by Eijiro Hatta and released by Konishi Honten in 1898.
Shinin No Sosei recounts the story of a dead man who was resurrected after falling from a coffin being carried by two men. Hatta portrayed the deceased, with Konishi workers Kobayashi and Soujiro Sugiura portraying the coffin-bearers.
Despite the fact that there are no records of Bake Jizo’s cast, crew, or narrative, it was most likely inspired by the Japanese mythology of Jizo statues, which are said to bring safety and protection. The term bake, which may be interpreted as “spook,” “ghost,” or “phantom,” could indicate a haunted or possessed statue.
10. The Miser’s Doom (1899)
With The Miser’s Doom (1899), Walter R. Booth made his directorial debut, telling the story of a miser who is plagued by the spirit of a poor lady from whom he stole money. He dies of shock as a result of the impact of this meeting.
Booth began his career as a magician before moving on to trick films, a genre dedicated only to the use of special effects. He went on to direct The Hand of the Artist, the first British animated feature (1906).
Booth would direct approximately 160 short films throughout the course of his 20-year career. After that, he focused on commercial production, including a commercial for Cadbury’s cocoa and chocolate.
11. The Joyous Skeleton (1898)
Auguste and Louis Lumière made a one-minute film in 1898 about a dancing stop-motion skeleton who keeps falling apart and reassembling his bones. Le Squelette Joyeux translates to “The Joyous Skeleton,” “The Dancing Skeleton,” “The Cheerful Skeleton,” or “The Skeleton of Joy.”
This was more of a horror experiment than a horror film. It does, however, deserve credit for being the first to depict a skeleton, even if its representation was more humorous than frightening. Skeletons would eventually feature in multiple films by Georges Méliès, thus this may have influenced his work.
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